Wednesday, 14 April 2010

BBE Seven Days and One Week


You should never underestimate the impact of hearing an electronic music track for the first time in the company of over 900 people, inside Alexander palace, on New Years Eve...and of course DJ Sasha manning the 1210's.

This was the situation I decidedly found myself in on New years eve 1996>97. However, let me come clean. It was during the Summer of 1996 that I heard the track for the first time, it was getting a get good rinsing courtesy of Kiss Fm's advertising campaign for the various Ibiza Club night promotions that holiday season. And yes subliminally it was pleasing to my ear, and it kinda epitomised the promise of what Ibiza's underground music scene was all about..A Living Dream....So, fast forward back to New Years Eve...

I had read a lot about this Sasha DJ bloke in the electronic music journals, namely Muzik magazine (big up to Ben Turner). Up until this event, the chance to personally experience a Sasha session had thus far eluded me.

So there I was drifting through the Sasha & John Digweed room after the Orbital's performance had just finished in the other huge adjacent area. I could detect a change in mood. I look up in the direction of the dj altar, John Digweed had finished his part in the duo's session and A Man Like Sasha was working the crowd with an throbbing 303 Bass line. I didn't have a clue what the track was he was playing, But at this point it appealed to my sense of something new and fresh. Next thing I know like a magician's rabbit in the hat trick...The ethereal melody kicks in preceded by snare drum build ups....

My first reaction was to rebel against the rest of the crowd, as far as I was concerned it was just a piece of chessy electronic pop from the radio. Wisely, I shook this impulse off and stuck around for the breakdown. Which at the time seemed to last for Seven Days & One Week...sucked into the drama i stayed in that room as Sasha segued one dance behemoth after another..NEXT!

Tuesday, 6 April 2010

DJ Gordon-The Daydreamer


Every time I listen to this track, I'am surprised why we haven't heard more from DJ Gordon. Maybe it was a pseudonym used by a well seasoned Producer, If not a first class track mastering engineer at work.

My copy of the track was originally released through "SuperFly" a label better known for it's Nalin & Kane epic but minimal "Beachball". The Daydreamer has been described as the "rare B side" to Moonshine Boogie by the same artist. It's probably has one of the longest intro-builds for a ten minute track. It takes nearly 4 minutes before DJ Gordon serves us some Bass. I'll continue have aspirations for this piece not to be forgotten..NEXT

Monday, 5 April 2010

The long & winding road.


This is my second attempt to catalogue my electronic/dance music collection from Vinyl to the digital realm. I did make a go of avoiding the task by re-purchasing my gems from BeatPort, Amazon & iTunes.

Although, I was pleasantly surprised at the extent of what was made available, They didn't have enough for me to continue tracking down "tracks"(please don't be offended by the Pun....I'm sure there'll be a lot more to come).

It was clear there was no other alternative available to me, but to dig out the Vinyl...

As a log of which tracks i'd converted, i started uploading "YouTube" links to my Facebook profile page for my friends to listen and comment on...

It was on the advice of my dear friend Julie, that i undertook this task of blogging my "musical journey"...With it, I hope to comment on every track which i have digitised...


So...Superstar DJ....HERE WE GO!